It includes improved sound and more music, while unfortunately adding sound effects and dialogue in the additional tracks. The original WEA release was hugely popular and those who loved the 38 minutes experience, may have difficulties to fully embrace the new 1997 score release of the Director’s Cut. Then again, small cracks begin to surface regarding the overuse of the main theme in the mini-series. The (small) variations on the memorable main theme, and its sub-theme for classic guitar, are the only pieces of scores that are just too good to be missed anywhere. It is best illustrated in some of the deepwater bombing sequences, that moderately adds to the tension, but it’s in such huge contrast to the original approach with powerful use of sound effects only. Doldinger, Klaus - Das Boot - Motion Picture Soundtrack Vinyl LP Record. The Director’s Cut adds new music in places that didn't had and needed music in the theatrical cut.
Music simply cannot establish this, even though Doldinger does underline this sense slightly, it remains no match at all. I have always felt the sounds of a sonar (also inegrated in the music), cracking of the boat and every other bit of sound plays such a quintessential role in creating atmosphere, tension and claustrophobia. While the general score is more or less functional, and the thematic material strong, the use of score in each version of Das Boot is open to debate. Doldinger’ sub-theme, performed by the classic guitar, has a romantic and nostalgic feeling, and is also rather monotonous in use. Doldinger really managed to write something that many German people still regard it as (one of) the best themes from German cinema, while also enduring its popularity with many others who have experienced Das Boot. It is an encompassing theme, matching all heroic and dramatic requirements for the film. The main theme is such a wonderful composition, which does not undergo a lot of changes and feels like a rather monotonous piece, but its memorable quality forgives this entirely. Das Boot (Single Version) 03:16: 0.15: 25: Konvoi II : 04:29: 0.15: 26: Angriff II : 03:41: 0.15: 27: Gibraltar II : 04:21: 0.15: 28: Absinken, Eingeschlossen : 02:55: 0.15: 29: Rettung II : 03:03: 0.15: 30: Ruckzug, Heimkehr : 02:12: 0.15 00:00 0. Even though the score has not aged well, the overall sound has never bothered me, which is rather remarkable since Das Boot is set during WO II. At times the sparse number of orchestral musicians create a rather hollow sound, but in the overall hybrid mixture with the synthesizers, it is decent enough. In the making of the Director’s Cut, the creators discovered the original soundtrack tapes had melted, which meant they had to remixed and reformat everything a huge technical and artistic undertaking, leading to enormous improvements in sound quality.ĭoldinger made artistic decisions on establishing the sound of the score, which consisted of small orchestral layers (strings, brass, timpani), panflute and classical guitar, mixed with synthesizer elements. The score by Klaus Doldinger is similarly unsatisfying in each version of Das Boot. gotten via Venue in Grevesmühlen (Germany) on 08.Aug. Martin Semmelrogge autograph on this picture.This and all the other pictures. Another autograph from the 'Das Boot' movie.A little bit difficult to see. While it is a masterpiece, there is no definite version, as both the original theatrical, mini-series and Director’s Cut each have their own flaws. Martin Semmelrogge dedication and autograph. The film is brilliantly directed, features a strong supporting cast, cinematography and sound design plays such an existential part. White poly-lined paper with centre hole one side and square corners.Das Boot offers an impressive insight in the claustrophobic world of the crew of an U-Boat during World War II. Could be harder to find a better example. Reverse side is clean, with no marks or dents. Light disc showthrough outline evident on front and reverse. One or two tiny vein-like creases in from the edges. Minor corner scuffs and very light wear on spine. A decent listen overall despite surface noise defects. Plays with no skipping, jumping or sticking.
Mild static and surface noise throughout and more prominent during quieter cues, but vocals are wonderfully bright. Surface noise and crackling at run-ins and through first sections of each side. Played just pre-listing and sound clarity is good, and very good in places. Superbly clean on visual inspection with no signs of any scuffs, hairlines or marks. See all condition definitions – opens in a new window or tab
DAS BOOT SOUNDTRACK HEIMKEHR FULL
See the seller’s listing for full details and description of any imperfections.
0 kommentar(er)
